Street Painting by Kurt Wenner…WOW

And WOW again . . .

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“Although I employ an arsenal of visual tools to create illusion, the classical language of form is the most vital. Classicism is vastly superior to other forms of realism for the creation of illusion, as it is based on human perception. Every stroke has the purpose of communicating form and space to the viewer. While stylistic references may tie a work to the 1400’s, Renaissance, or Baroque, illusionism brings it into the present by creating an optical and geometrical link to the contemporary surroundings.”

Visit his fascinating website here.

…and be careful, don’t fall in.

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Kurt Wenner has combined traditional street painting techniques along with classical training, illusion, and performance to invent an art form all his own. This has come to be known as anamorphic, illusionistic, or 3D street painting.

Wenner’s development of this technique is featured in the National Geographic documentary Masterpieces in Chalk. Artists using this technique today can trace it back to Wenner’s invention in the early 1980’s. His three-dimensional images have inspired festivals and public events throughout the world, as well as others to continue the practice of bringing images of icons and popular culture to an ever changing public. While the art form continues to develop one thing has remained unchanged, madonnari and their  paintings continue to vanish after a festival, or with the first rains.

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Franz von Stuck

German Symbolist Painter

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February 24th 1863 – August 30th 1928.

Franz Von Stuck was am influential German Symbolist/Art Nouveau painter, sculptor, engraver, and architect born at Tettenweis near Griesbach in Lower Bavaria, Germany, the son of a miller. He was noted for his treatment of erotic and comic aspects of mythological themes.

The Kiss of the Sphinx

The Kiss of the Sphinx

As a child he quickly became a gifted caricaturist. From 1878 to 1881 he attended the Kunstgewerbeschule in Munich, where he received particular encouragement from Ferdinand Barth (1842–92).

Salome

Salome

Von Stuck attended the Munich School for the Applied Arts after secondary school, transferring in 1881 to the “Königliche Akademie der bildenden Künste” (Royal Academy for the Fine Arts). The drawings he did for the portfolio ‘Allegorien und Embleme’ (‘Allegories and Emblems’), published by Gerlach and Schenk in Vienna, made his reputation as an outstanding draughtsman as early as 1882.

Fighting for a Woman

Fighting for a Woman

Awarded the gold medal for the painting “Die Wächter des Paradieses” (“The Guardians of Paradise) at the Annual Exhibition at the Munich Glass Palace in 1889, Von Stuck devoted himself entirely to painting, becoming a portraitist who was much in demand. His sitters’ regal poses elevate them above the mundane, making them sublime and timeless. In addition to some early landscapes and numerous portraits, the painter’s oeuvre is notable primarily for mythological and symbolic themes.

Dying Amazon

Dying Amazon

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Susanna Bathing

Susanna Bathing

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