What does male sexuality have to do with Martin Brant Novels?
Within the general brotherhood of man, concerning male sexuality, a significant percentage of men live with a closely guarded secret. More common than most people think, these men are dealing a same sex attraction. Most people, other than those they may have shared their secret with, don’t realize how many men have some degree of sexual attraction to other men. Contrary to most moral codes and various religious beliefs, these feelings are quite common and natural. They are feelings that number among the human emotions I deal with through the characters in my novels.
A writer’s first priority, mine included, is to tell a good story. Any writer worth his or her salt wants to create a thoughtfully written story and entertain those who read his or her work. It could be a murder mystery like my latest novel, Copperas Cove, where Jonathon Scott, recently divorced, leaves Pittsburgh to start a new life and finds himself entangled in the bigoted dramas of 1950s Mississippi; or a WWII action/adventure like The Partisans, where two men on an important mission in France stumble upon a bright new future; or a tale of romance like A Song in the Park, where two men at odds with their past cross paths and start facing life’s challenges together. Good stories have characters and characters have personalities, personalities that are very much a part of the whole and make for a more intriguing book. Often the character’s personality can be a story within a story, or it can be the story itself, as in books such as Catcher in the Rye, or my first novel Five Married Men.
Why the element of same sex attraction?
For me it’s a fascination with the vast diversity of human nature. It’s a part of the human race that, for various reasons, many don’t understand. Many of us have been indoctrinated to belief there is something wrong with being attracted to a member of our own sex, which includes the majority of those who are. These are the men who keep secrets, who often feel guilty, who somehow believe there is something wrong with them. Though you may not feel attracted to members of your own sex, you know someone who does. It may be your brother or sister, your neighbor or a colleague at work, your cousin or best friend; it may even be your husband or wife. And chances are you don’t know their secret exists.
Considered a blessing or a curse, or both, the degree of same sex attraction varies from one man to the next; from a mild curiosity that leaves him feeling either guilty or warm inside, to a full blown and exclusive attraction to one’s own sex. Though the same holds true for both men and women, my focus and my novels are about men (and the women in their lives). And for some reason, same sex attractions seem more prevalent in men, though it is also considered by many as more unnatural and less acceptable.
So why would an author that wants to write a compelling mainstream tale include characters with a same sex attraction? Maybe I believe human sexuality in itself is compelling. Maybe, through my novels, I would like to help broaden human understanding. Maybe a part of me wants to say it’s okay.
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The Barricade George Wesley Bellows, United States, (1882-1925)
A member of New York’s Ash Can School, Bellows achieved prominence for his bold depictions of the bustling city, which did not shy away from showing the seamier side of urban life. In 1918, moved by reports of atrocities committed against civilians during the First World War, Bellows departed from his typical subjects and painted five large-scale canvases to call attention to their plight. “The Barricade” derives from an incident during the invasion of Belgium in August 1914, when German soldiers used townspeople as a human shield. Bellows presented the victims as nudes, simultaneously underscoring their vulnerability and recalling depictions of martyred saints from the history of art. Because Bellows had not witnessed these events firsthand, the artist Joseph Pennell charged that he had no right to paint them. Bellows replied that he was not aware that Leonardo da Vinci had “had a ticket to paint the Last Supper.”