Johnny Dee and the Rocket 88′s

This fabulous group never left the fifties. Take a walk down memory lane with Johnny Dee and the Rocket 88s.

I had the good fortune to see them perform in a club on Sixth Street in Austin. They’re loud, they’re raucous, they’re cool … they make you loose count of how many beers you’ve had. They help keep Austin weird.

Here’s their promo video …

Jimi Hendrix…Has it really been 40 years?

I’ll never forget the first time I heard Jimi Hendrix, driving in my car, over the radio.  I couldn’t believe my ears, even in this era, when the greatest rock music ever created was being written and performed. I remember other rock stars bemoaning the fact they’ll never sell another record, fearing no one could compete with Hendrix.  By anyone’s estimation, he above all others mastered the guitar.

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From: www.solarnavigator.net

Jimi Hendrix (November 27, 1942, Seattle, Washington – September 18, 1970, London, England) was an American guitarist, singer and songwriter. Hendrix is recognized as one of the greatest and most influential guitarists in rock music history. After initial success in England, he achieved worldwide fame following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival before his death in 1970, at the age of 27.

A self-taught musician, Hendrix played a Fender Stratocaster guitar turned upside down (“left-handed”) and restrung to suit him. Hendrix pioneered the technique of guitar feedback with overdriven amplifiers, incorporating what was previously an undesirable sound into his music. He built upon the innovations and influences of blues stylists such as B.B. King, Muddy Waters, Albert King, and T-Bone Walker, and derived style from rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, and Cornell Dupree, as well as from traditional jazz. Part of Hendrix’s flamboyant stage persona may have been inspired by rock pioneer Little Richard, with whom he toured as part of Richard’s back-up band, “The Upsetters”.

Hendrix strove to combine what he called “earth”, a blues, jazz, or funk driven rhythm accompaniment, with “space”, the high-pitched psychedelic sounds created by his guitar improvisations. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas; he was one of the first to experiment with stereophonic and phasing effects during recording.

JimiHendrix7Hendrix was inducted into the Rock & Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. His star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut album, Are You Experienced, was inducted into the United States National Recording Preservation Board’s National Recording Registry. Rolling Stone named Hendrix number 1 on their list of the 100 Greatest Guitarists of All Time in 2003.

Early life

Johnny Allen Hendrix (later re-named James Marshall Hendrix) was born on November 27, 1942 in Seattle, Washington. Hendrix’s parents divorced when he was nine years old, and in 1958 his mother died. He went to live with his grandmother because of his unstable household. Hendrix did not graduate from high school. Hendrix later claimed that he was expelled for holding hands with his white girlfriend, but when questioned later, his principal insisted that it was due to poor grades and frequent absences.

Hendrix got into trouble with the law twice for riding in a stolen car. He was given a choice between spending two years in prison or joining the army. Hendrix chose the latter and enlisted on May 31, 1961. After completing boot camp he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky. His commanding officers considered him to be a sub-par soldier: he slept while on duty, had little regard for regulations and showed no skill as a marksman. He was given an early release from military service in Fort Campbell, Kentucky for “behavioral problems”, though rumors held that he faked homosexuality or was given a medical release for breaking his ankle while parachuting.

Early career

After his release, Hendrix and army friend Billy Cox moved to nearby Clarksville, Tennessee, where they formed a band called The King Kasuals. Playing in low-paying gigs at obscure venues, the ‘band’ eventually moved to Nashville. Playing and sometimes living in the clubs along Jefferson Street, the traditional heart of Nashville’s black community and home to a lively rhythm and blues scene offered some sort of ‘existence’. In November 1962, Hendrix participated in his first studio session, where his wild but still undeveloped playing found him cut from the soundboard.

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For the next three years, Hendrix made a precarious living on the Chitlin Circuit, performing in black-oriented venues throughout the South with both the King Kasuals and in backing bands for various soul, R&B, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin Circuit was an important phase of Jimi’s career, since the refinement of his style and blues roots occurred there. His work garnered him little fame or profit, and the extremes of racism and poverty that he endured left an indelible mark on his memories of this era.

Frustrated by his experiences in the South, Hendrix decided to try his luck in New York City. Jimi was always inspired by a saying he once heard from his grandmother: “I want to need to have you. First I have to need to want you.” In January 1964, he moved to Harlem, where he quickly befriended Lithofayne “Fayne” Pridgeon (who later became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins quickly became loyal friends who kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the funk anthem “Freedom”. Pridgeon, a beautiful Harlem native with connections throughout the area’s music scene, provided Hendrix with shelter, support, and encouragement during the poorest and most desperate years of his life. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. The win was encouraging, but in general he found breaking into the New York scene difficult.

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Naked Boys Singing

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By Joe Brown; Las Vegas Sun

What comes after the full monty?

That would be “Naked Boys Singing!,” a musical revue with seven men singing and dancing in the altogether.

Certainly there’s no shortage of bare men in Las Vegas, with at least four male dance revues on tap on the Strip. The difference is that “Naked Boys Singing!” is not a tease.

And its focus is not really entirely on what comedian Doug Benson calls “penuseses.”

Oh all right, yes it is. But only for about the duration of the first song, “Gratuitous Nudity,” which is a cheerful open invitation to ogle. “Tonight there’s an atmosphere where it’s all right to stare,” the seven-member cast sings. “Tonight you won’t wonder what’s under our underwear.”

After the novelty of seeing man-bits in motion wears off (the jiggly kickline is particularly hilarious), attention turns to personalities, bodies, faces and voices.

The off-Broadway musical revue just marked its 10th anniversary, and was turned into a movie in 2007; current stagings in London and Provincetown, Mass., are primarily aimed at gay men, but the show is also marketed toward bachelorette parties.

The 16 clever songs were contributed by more than a dozen writers with showbiz pedigrees, including creator Robert Schrock, Ben Schaechter and Bruce Vilanch. A pastiche of styles, they alternate between silliness and substance, but each song is essentially a debriefing about the meanings of nakedness: emotional (“Window to the Soul”), commercial (“Perky Little Porn Star”), comic (“The Naked Maid”) and – not only and not merely – sexual.

Mostly, these songs address the poignancy of men in unguarded moments. One of the most affecting, a wistful lament to a late lover, is sung while getting dressed. Another number, called “Fight the Urge,” comically depicts the pathos of gay boys in the high school gym locker room, hoping their anatomy doesn’t betray them as jocks parade around in the buff.

Ably accompanied by pianist Spencer Baker, who keeps his pants on, the actors are endowed with pleasant voices, and with one spectacular exception (yes, Paul Pratt, we’re all looking at you) they all have normally attractive bodies.

On the show’s first weekend, the performers still seemed a little uncertain with the material, but that should improve with more performances under their (nonexistent) belts. Director Hank Emerson and choreographer Brad Barnes keep things simple, and seem to have slowed the tempos a bit, stretching out what is usually a 65-minute show.

“Naked Boys Singing!” is scheduled to run through July 4, but if it finds its audience, it has the potential to hang on for quite a while.

An extension would be a bonus for the Rack, the fetish shop that houses the Onyx Theatre – this show has a covert dual purpose, functioning as sort of a Tupperware party for the exotic underwear and accessories peddled in the store.

*****

Sounds like fun to me   . . .visit their website here Naked Boys Singing

Adam Lambert

I don’t watch much TV.  Never have watched American Idol … until I ran across this:

Who has the balls to take Johnny Cash’s Burning Ring of Fire, rearrange it, sing it and not ruin it?  Who is talented enough to make this song his own?  Who, these days, hits notes that make the fine hair on your neck stand up?

I had to learn more about Adam Lambert!

Tonight begins the final round on American Idol.  Does it matter if he wins or not?  Of the finalist on this show, there have been many we love to listen to: Kelly Clarkson, Ruben Studdard, Fantasia Barrino, Carrie Underwood,  Taylor Hicks to name a few–but there has not been a mega star, a performer with great looks, amazing talent and incredible showmanship.  I would love to see him sing with Cher.

Lambert has been a stage actor since he was about ten years old; he was cast as Linus in San Diego’s Lyceum Theater’s production of You’re a Good Man, Charlie Brown.   He also played a part in The Ten Commandments: The Musical at the Kodak Theatre alongside Val Kilmer.   He was the understudy for the part of Fiyero in the touring and Los Angeles casts of the musical Wicked.   Since 2004, he regularly performs at the Zodiac Show, which was co-created by Carmit Bachar of the Pussycat Dolls.  He also performed at the Upright Cabaret.

He’s a dynamo on stage.

FROM THE TEN COMMANDMENTS, THE MUSICAL

Everything he has sung on American Idol has amazed the judges, every song incites the audience.  No matter the genre, no matter who sang the original song, Adam infuses his style and makes them original.  Some of his songs work better than others, but they are always as fascinating as he is to watch.

Is Broadway ready for a star who is part Elton John, part Mick Jagger and part David Bowie?  Time will tell.  All we have to do in the meantime is fasten our seatbelts and enjoy the ride.